Neil Peart Quotes

It's interesting. I've known quite a few good athletes that can't begin to play a beat on the drum set. Most team sport is about the smooth fluidity of hand-eye coordination and physical grace, where drumming is much more about splitting all those things up.

Extroverts never understand introverts, and it was like that in school days. I read recently that all of us can be defined in adult life by the way others perceived us in high school.

To me, drum soloing is like doing a marathon and solving equations at the same time.

For me, drum elements are like hieroglyphics - I think of a certain physical figure, and a little three-dimensional glyph will appear in my mind as I'm playing.

If you choose not to decide, you still have made a choice.

Stamina is the force that drives the drumming; it's not really a sprint.

People don't realize the limitations of 200 words, and the way they get chiselled down into a song that has to be sung.

I expect if you're a professional public speaker, you probably wouldn't want to go onstage and sing and play drums.

I had spindly little ankles, and growing up in Canada, I couldn't skate. I was no good at any sports so was very much a pariah through those adolescent years.

I want to be an improviser, and I've worked very hard at that. It's an art. You don't just play whatever comes into your head; you have to be very deliberate about what you do.

There's still a lot I'm angry about, a lot of human behaviour that's appalling and despicable, but you choose what you can fight against. I always thought if I could just put something in words perfectly enough, people would get the idea and it would change things.

If you've got a problem, take it out on a drum.

I don't like lyrics that are just thrown together, that were obviously written as you went along, or the song was already written and the guy made up the lyrics in five minutes.

I'm still no good at ball-and-stick games. If I go play golf with the guys, it's intended to be a joke.

I believe in taxation and health care that is outside the usual libertarian mandate, because I don't want people to have to suffer. It's as simple as that.

If it's cross-country ski season, I'll be out doing that, or snowshoeing up in Quebec. In my California home, I go to the local Y and I like doing yoga. It's been hugely beneficial to me in injury avoidance.

Too much attention and hoopla doesn't agree with my temperament.

To get nostalgic about other people's music, or even about your own, makes a terrible statement about the condition of your life and your prospects for the future.

Now I call myself a bleeding heart libertarian. Because I do believe in the principles of Libertarianism as an ideal - because I'm an idealist.

Anytime I have an idea, I'll make sure that I put it down so that when we do sit down to write an album, I don't have to dream it all out of thin air. I don't have to be creative on the spur of the moment, or spontaneously artistic. I just take advantage of whenever creativity strikes.

To get nostalgic about other people's music, or even about your own, makes a terrible statement about the condition of your life and your prospects for the future. I have no patience with that kind of attitude, whether it's on radio or among friends.

Playing a three-hour Rush show is like running a marathon while solving equations.

The Seven Cities of Gold always fascinated me. Southwestern U.S. history especially fascinates me. The whole spur of the Spanish exploration of the Southwestern U.S. was the search for these mythical Seven Cities of Gold.

It was actually drumming that gave me the stamina to get into sports later. I started playing drums at 13, and when I got to the international touring level... I got interested in cross-country skiing, long-distance swimming, bicycling... things that require stamina, not finesse.

Ever since I was a kid, I always wanted to play music that I liked, and even when I was in cover bands when I was a teenager we only played cover tunes that we liked. That was the simple morality that I grew up with.

Performing live in front of an audience is such a matter of will - all of those things you can do just fine in your basement, suddenly you have to do them in front of hundreds or thousands of people, and it becomes a different matter entirely.

What is a master but a master student? And if that's true, then there's a responsibility on you to keep getting better and to explore avenues of your profession.