I actually feel like the phrase ‘big in Japan’ is not appropriate for me. The reason is that there are more people who sympathize with my practice in America than there are domestically in Japan.
I always have stress.
In Japan, I am famous in certain special circles – mainly as someone who is trying to break down and enlighten the conventions of Japanese art.
In Japan, I focus mostly on sending messages through Twitter, trying to spread my minority way of thinking.
Japanese people accept that art and commerce will be blended; and, in fact, they are surprised by the rigid and pretentious Western hierarchy of ‘high art.’
Like many other kids, I liked watching anime.
My parents came from the Kyushu Island in the Southern part of Japan to find work in Tokyo. So we could only afford to live downtown, in a low-income area. It was just by the river, and whenever a typhoon came around, we were under water up to, like, here. That’s the kind of place we lived in.
Rather than a big figure, I guess you could say I’m more of an influential minority symbol.
When I was little, I guess I was just an ordinary kid. But then things changed when I was in junior high. You know, kids that become geeks become one because of something. Like, they aren’t good at sports, or girls don’t like them. I, too, for some reason, got into things like science fiction and, well, especially science fiction as an escape.